Tuesday 2 June 2015

0 Comments OOTD Downton Abbey Style

It seems like I've been sewing non-stop the last couple of months. Barely finishing one project I already have another one coming up in my head... Here I'm going to share with you my most recent project to date as an outfit of the day.

Freshwater pearls: H.Samuel
Glass bangles: gift from India 
This beautiful dress features a dropped waistline with gathered midi length skirt, my all time favourite 3/4 sleeves and a gentle boat neckline. Material is 100% Italian viscose, extremely lightweight which makes the dress very dynamic and flowing at the slightest breath of air. Well, see for yourself :)

Suede flats: Mascotte


Clearly liking my new dress!
The pattern comes from a relatively dated magazine (Burda 02/2013), although I only got to make it now. And guess what? It all happened after re-watching the Downton Abbey series :) 

All their gowns are just so elegant yet relaxed, feminine yet perfect in their simplicity – needless to say I've been in love with their outfits throughout the series, as [I am certain] are most of the girls who ever watched at least one episode. 

Here, I hope you guys like it as much as I do! Took it out to an Indian summer bazaar hosted by the Indian embassy here in Moscow a few days ago, and it looked and felt fabulous! ^_^

E.V.

P.S. Currently engaged in a lengthy knitting project, so I should reveal it in a week or two, I know there hasn't been much knitting here recently and I'm hoping that would change :P 

Thursday 28 May 2015

0 Comments Cut Me Some Slack! | OOTD

This is just enough word play I can squeeze into this post without sounding too cheesy. Sometimes I find it quite tormenting to come up with a nice title for a post, so it is always good to have an idea bouncing and ready when I sit down to type. So cut me some slack if it's not the most entertaining post title ever :D

Well, to the point now. During the little guessing game I originated to collect your guesses as to what I made as my then latest sewing project, +AdmiralLadyPaula Rizzuto suggested a "lovely drapery pair of slacks" [see what I did there?]. Although not from that fabric, I did make a pair that just fits her description from black lightweight Italian viscose.

I am not entirely sure how to describe the style properly since it is somewhat of a mix between formal-ish harem pants and relaxed peg leg, so I really hope the pictures will suffice. The model features crop length with curved edges, wide waist band and gentle folds placed right on top of pocket openings, making them look puffier as well as adding to their drapery-ness (a total nightmare to iron but so worth it!).

Knitwear top: Massimo Dutti
Suede flats: Mascotte
Cateye shades: ASOS
Necklace: somewhere in Brazil (gift from a friend)


I have another pair I made using the same pattern about 5-6 years ago from lovely linen mix (still alive and well) in size UK 8/EU 36. Now that I've reduced to size UK 6/EU 34 I'm loving how they rest all relaxed about an inch above my hipbones, which is why I decided not to adjust the black pair to my actual size.

I have to say, I am happy with my choice of the material. It took me quite a while to find simple black viscose that is opaque enough not to show off anything underneath – for some reason neutral colours like that are not in favour on the Russian market. This was literally the only fabric matching all of my requirements, and better yet – after decating the cut it got this subtle shine like that of scoured silk, much to my enjoyment.

Mac: Zara Basic


I needed a pair of black slacks like that for the summer actually, since the only ones I have are either linen or shorts. This pair can be both casual and formal, and even night out/occasion worthy if worn with a sparkly top, some nice jewellery and high heels.

As usual, awaiting your comments down below, and hope you guys liked it :)

E.V.

P.S. Forgive my awkward posing, I am not very good at this! *insert monkey covering eyes with hands emoji*

Wednesday 6 May 2015

0 Comments Relieving my Artistic Urges | Introducing New Section

About a week ago I decided to revive my artistic skills – geared up with some pencils, brushes and paper, found a nice photograph of peony flowers to use as a 'model', and immediately began sketching completely losing track of time. 

Naturally, starting from a relaxed sketch

What I find quite annoying with my personal pre-watercolour sketching style is that I tend to 'overdo' it, especially with shading. Generally drawing is my favourite, and I just can't avoid shading as I go (you can see it in the picture above) instead of simply contouring the image. 

Now that I think of it, I might just suck at contouring... But hey, as long as it gives result, am I right? :D Anyway, all I had to do was to clean it up a bit with eraser to make the lines finer and shading less visible. 

Recovered my watercolour set from when I studied in art school, almost 10 years back!


Funnily enough, what I find is that I only achieve better results, drawing or painting, each time I do it, even after very long periods of time. Like, literally, the last time I painted in watercolour was what, four years ago? Much better now, and with zero practice. I definitely have to test this superpower of mine on soft pastels, my used-to-be favourite.

My watercolour technique is... hmm... quite random if I am perfectly honest. Meaning I rarely actually know what I am doing at each given moment (how I suppose a proper artist would), but rather arbitrarily pick colours and make brush strokes acting on intuition. I find it more relaxing that way, like letting your mind do things without commanding it directly. Well, that's just in case you're interested :)

Did a few minor touches with coloured pencils to add volume to the colour



I hope you guys like the result! You might have seen the finished drawing in my Instagram feed already, but I figured it deserved a bit of context. I personally think it turned out quite pretty in the end, despite minor imperfections of which only I will ever know ^_^

I don't draw or paint too often nowadays, but once I get one of those 'inspirations' I tend to create pretty decent things. Let me know if you want to see more of my art, and I will make sure to post my older pieces here, as well as [hopefully] get motivated to make it a more or less regular thing ;)

E.V.

P.S.  I kind of feel like it calls for some romantic verse about petals and light and what-not to go with this painting... Unfortunately, I abandoned poetry quite a while ago, so if any of you can offer some nice verses you like, I encourage you to leave them in the comment section ;) <3

Tuesday 5 May 2015

0 Comments The Pink One | Spring Dress

Heyyy... So... I finally got some time to take pictures of the piece I made from that candy pink viscose mix I showed you here some time back. I don't think anyone has guessed what it was from the first try, although few of you came pretty close. I decided the colour and texture would make just a perfect dress for spring, which is exactly what I made of it in the end.

Once again, the pattern came from one of this year's Burda magazines, and I fell in love with it right there and then when I saw the preview:

Ah, so tender! Wish my hair was this long... *dreamy face*
I bought the fabric (quite spontaneously) before I got my hands on the copy, and lived the following week or so in sweet anticipation. I especially liked the simple and modest silhouette with dropped waistline, the length of the skirt (which differs from my favourite midi/below the knee) and the fact that this model has full length sleeves, which is something I haven't seen on a dress in a while.

I think I cut into the fabric the very same day I got the magazine – so anxious I was to finally make it!

My enthusiasm got turned down a notch when I realised the material I had just wouldn't flow and look as lightweight as it does on the picture. The reason – magazine model is made of silk, and my viscose crepe turned out to have stretchy fibres and due to added polyester it was heavier and thicker than needed.

Apologies for the dress being all creased, I took pictures only after I wore it once ^_^
Anyways, no turning back after you cut it, eh? In every other aspect the fabric was a treat to work with, and I didn't have any problems whatsoever when it came down to sewing. Psssst, overlock is such a life-saver!

Sewing wise this model had a couple of challenging operations I have never done before – cuffs and a concealed button panel – which, although required some extra time, were not as challenging as I originally expected. Altogether it took approximately three evenings to make, and then another couple of days for me to stop being lazy and hem it by hand :D



I quite enjoyed making this dress and I am pretty happy with how it looks on me. The only thing which I find slightly weird is the fact that it has full sleeves (which came out a bit longer on me than they are on the model) – not something I dislike, but I'd have to play around with shoes and accessories a bit to be confident enough to just grab it from the wardrobe and go.

From what I can say now, it will look amazing with simple nude pumps and a classic mac for a casual day out or an office look, whereas matching hairpiece, bold lip colour and high heels will give it a more sophisticated evening touch. So, potentially versatile, but will have to experiment :)  

Bonus: a full look featuring the new dress :)
I really hope you like how it turned out! I know I've been keeping you waiting with it, so thank you so much for staying with me! As usual, the comment section is open for your lovely opinions and suggestions. 

Lots of love <3 

E.V.

Tuesday 21 April 2015

4 Comments Awakening from the Spring Slumber. Hopefully

SO... Massive apology to anyone who's been waiting patiently for my next post (since I do have a couple of pending projects up my sleeve – I remember them all, and I promise I'll get better at keeping you up to date!). And just a regular apology to those who simply ended up here in this blog and would like to read a bit more about me or what I do.

I'd be lying if I said I was busy that whole time, although I kinda wish I had a bit more going on in my life than I already do. Truth is, I just couldn't get myself to blog either having nothing to write about at hand or simply finding myself too busy with other random stuff I do. 

On the bright side, I've been making clothes ceaselessly since my last post, and now I actually have quite a few pieces to share with you. What I plan to do is to shoot a couple of OOTDs with the items I made within the next couple of weeks or so and maybe do a little mix-n'-matching to show their versatility. 

There is one tiny problem though... The spring just wouldn't come here! Namely, it's been snowing (!) here in Moscow for the last two days, the weather steadily keeping at the level of a miserable mush. Although it's not the typical weather for this season per se, it is still pretty discouraging from going outside, hence I did very little picture-taking. The only hope now is the weekend which promises to bring some sun and warmth around.

Meanwhile I'll be finishing off some of the pieces, planning and hopefully shooting some looks already, and the posts should start flowing some time at the end of this- beginning of next week :)

Until then, let's play a little guessing game, shall we? Here's a picture of a lovely viscose blend crepe cut in a candy shade of pink. It is now a finished piece of clothes, and I'd like you, my lovely readers, to guess what I have turned it into. 

Perfect colour and texture for spring... IF IT WOULD JUST COME ALREADY!


Now, let me know what you think I made of it in the comments ;)

E.V.

Wednesday 25 March 2015

2 Comments Can't Quite Contain My Excitement, or Floral Vintage

I am excited, as it follows from the title of this post, and I would much like to share with you why. After about three weeks of hectic [at times] reading books on modelling clothes, trying to model some basic forms and then designing a dress I only ever saw as an illustration on Pinterest (this one) from scratch and without any substantial guidance, I finished The dress!

Close up of the front tie detail
The overall silhouette and the front tie detail I took from the image, as you can see, but the required measurements and proportions between different parts of the pattern I had to estimate, and I did improvise with the back of the dress, since you can't quite see it from the picture. The fabrics was a birthday gift from a friend, and it is a Japanese cotton with grey background and vintage flowers.

The dress features a boat neckline in the front and a moderate V-neck in the back, which turned out looking very elegant. The top of the dress is made as a crude probability distribution curve (I do hold a BSc and an MBA, after all!), with darts being transferred into soft pleats around it. The back has two regular darts that match those of the skirt. The front ties are sewn into the side seams, and serve more as a decoration rather than have any practical purpose.

Mirror selfie in the new dress is a must!
The back of the skirt is a regular pencil shape with a tall kick split, while the front has darts gathered at the waist, making it puffy in the hip area. To be perfectly honest, I expected the skirt to be a little bit slimmer, although it does look good and vintage'y as it is. The dress fastens at the back with a 50cm/20inch concealed zip.

The overall look for the night

What I am most proud of in this dress though are sleeve gussets – an essential element of vintage dress-making, particularly in the 50s. A one-piece gusset like the one here is a diamond-shaped piece of fabric that goes into the opening under the arm and allows extra arm movement in more fitted kimono sleeves. Ah, so pretty!

Here I'm showing you how the dress looks as part of a whole, with recently made coat and evening hair and make-up. I have to say, I was pleasantly surprised that the dress was so comfortable to wear – and gussets do indeed allow proper arm movement while maintaining close fit. Although I would probably let some time pass before I attempt to model another dress for myself, it was too exhausting and time consuming!

Well, I do hope you guys like it, too. It took some time and dedication to make it, but all the hassle was well worth the result :)

See you soon!

E.V.

Monday 16 March 2015

0 Comments Spring in Lilac | OOTD

This winter here in Moscow was dull. It wasn't the regular cold, but rather mildly negative temperatures mixed with March +3ºC throughout the whole three months of winter, more or less. This means there was snow, which then got stained with fumes and dust, which then melted halfway and turned into dirty mush, only to freeze again a couple of days later. Repeat.

All that left the winter city [and its urban outskirts] looking grey and impossibly miserable. So, when the air first began to smell like spring again and streets began to dry a couple of weeks ago, I knew it was time to bring some colour in! So I figured a cuddly oversize coat in a lovely shade would be perfect to get into the spring mood.

Another reason I needed, or rather wanted a coat is that ever since late October I wouldn't take down my favourite +Uniqlo dawn jackets. They are fabulously comfy and light and versatile, but they sure lack some style and glamour for those occasional fancy moods of mine.

I don't really know anymore which came first, the idea to make the coat or this pattern from Burda Style Classic edition 2013. But as soon as I laid eyes on the picture I knew it was EXACTLY what I wanted to have! And making it would be another pleasant challenge for my sewing skills. Not long after I was already in a store looking at a piece of coat wool in a beautiful shade of lilac, which again was love at the first sight.

Love how the colour matches my dark denims
It took me a few evenings to finish the coat, as I wanted it to turn out as neat as possible. Making it was easy, although handling so much fabric at once was a tiny bit tricky. And, me being me, I still managed to find something to be upset about when the coat was done. Not critical, but buttonhole positions offered by the original pattern turned out to be too far from the edge, which resulted in a fold between the top button and the next one down. Ah, well...

Colourful silk scarf my dad got me from Japan when I was 6 – it's like it was made for this coat 17 years ago!
The coat is of oversize silhouette and features a funnel neck, dropped shoulder and patch-on pockets. It is just the right amount of 'bulky' for my complexion, so it doesn't look like I picked up the wrong size or wandered into a plus-size department by accident. The lining is 100% viscose in tie jacquard ornament, which I got for a ridiculous price of under a £/metre (bin sale in the warehouse of an online store FTW!).

Now, to the Outfit Of The Day part :) Here I am wearing the coat with +Levi's® straight leg Bold Curve denims cuffed into peg leg (which is my favourite shape apart from slims and skinnies), and Poste Mistress heeled boots I bought from Office, London. I accessorised the coat with a square scarf made from hand-painted Japanese silk, and topped it all off with +ASOS cateye shades and massive green amber earrings. Although it can't be seen, inside I'm wearing a thin Primark sweater in beige.

Such a combination is perfect for casual outings like a journey to the textiles store and a simple city promenade. For a more sophisticated look I'd wear a pair of black trousers with a nice blouse, or something more feminine – a skirt or a dress. Possibilities are pretty much endless :)


'Busted' buying new fabrics :p

Anyway, here goes my first OOTD post, which I hope you enjoyed. I am planning to make more of those in the future, and spring/summer season should be the perfect opportunity to explore shooting locations and try different looks more freely.

For now, take care and enjoy the spring!

E.V.

Monday 2 March 2015

0 Comments The Baby Blue that Turned Out to be Peppermint

Funny story about some yarn now. It's been living in the stash for as long as 6 years – my mum got it when she was buying some sock yarn to make me a pair of nice Christmassy green socks back in 2009, and unlike its green-colour colleague, it never got to any use until now. Those socks were the first time my mum knit anything in ages, and I suspect it was also the last time she ever did. 

Quite frankly, I was squeamish about the baby blue colour of the yarn to use it on anything. I mean, the colour itself is fine, it was just (1) the matter of matching it with the rest of my wardrobe, and (2) there was too little of it to make anything substantial – only two 50g skeins 135m each. 

Serial knitter that I have become, I felt sorry for those sad little skeins bearing their existence in a dark box inside a cabinet, so I made it my purpose (for about 30 minutes) to find a suitable project to use them on. Pinterest to the rescue, as usual.

A cute little pattern came along called Shawlini by Kathy Kelly. It is originally from Ravelry, but I did in fact find it on Pinterest in what to my opinion is the best execution for this particular pattern in candy pink colour. It is also a crochet pattern, and I figured it would be a nice and quick project to use up the long overdue yarn.

So, I geared up with a 5.5mm crochet hook, and was at it the next free evening. And oh wonders! The baby blue yarn began transforming into pastel, almost translucent peppermint as it turned into the shawlette. For some reason, the colour appeared different from what it looked like in a skein. But hell, that was definitely more like it!


Nearly all the yarn was used, as expected, leaving minor leftovers for some cute and quick crochet gifts. The shawlette, as it turns out, is a narrow but really wide triangular scarf. In my case it is 150cm/4'9" long and 25cm/10" at the widest part inclusive of the shell ornament.

The shape like that is particularly practical when it comes to covering overcoat collars, and it also kind of eliminates the problem of doing something with loose ends – they are thin enough to tie them together and hide under the wider middle section without having a massive bump on your chest.


As per usual, it was only after I was done with it and blocking that I realised I had done something wrong. I am not a very experience crocheter [yet], so instead of using both loops to make a new row I was using back loops, which resulted in textured vertical stripes all over the shawlette. Not that it looks bad or anything, just one of those things you learn once you got to do them wrong first.

Otherwise, the pattern was very easy to read, and making it only took me a couple of evenings including the shell border. The loose stitch here will allow some air through while pure wool will be keeping the neck quite warm – perfect for those spring winds.


I have to say, the colour transformation was pretty lucky. Peppermint should be a perfect match for a lilac light wool spring coat I am currently making for myself (to be shared here once it is finished, of course). Plus it can brighten up pretty much any neutral colour, which is just the kind of spring accessory you want in your collection :)

E.V.

Wednesday 25 February 2015

2 Comments Aubergine Goodness

I am tireless when it comes to knitting, it seems. Just recently I finished this ridiculously lengthy project, and guess what? I started another one the very same evening! Crazy me, I know. But I suppose I simply got too used to making something with my hands in the evenings while watching TV with family. Kind of like a newly acquired habit.

So, there goes that. Anyway, you may or may not know that one of the biggest public holidays celebrated here in Russia is approaching rapidly – the 8th of March or International Women's day. This day girls and women of all ages are being shown their appreciation in the shape of flowers, gifts and other possible goodies by their families and friends.

It is also the first holiday of spring, and generally the weather would already have started getting nicer, warmer and greener. So everybody is getting kind of hyped around that time, the happy kind, naturally. Ah, the sweet anticipation! 

Since the weather is fairly unpredictable here during mid-season, despite the spring bloom, and simply knowing that my mother loves her warmers, I chose to make her one of those cuddly rectangular shawlettes/wraps to wear at home.




This lovely "lace capelet" pattern by Tanis Gray was featured in Vogue Knitting SS2010 issue. I set my eyes on this one about a year ago, when I was doing my random pattern browsing on the Internet, and instantly knew I would LOVE to make one of those (damn these manipulative bastards with their sleek and elegant professional photographs!) And now was the perfect occasion.

I took my mum yarn shopping some time back when I was still on my cardi project, to have the yarn all good and ready by the time I was done. She picked some soft 100% wool in a lovely saturated aubergine'y colour (nearly identical to Rowan's Kid Classic in colour 835 Royal). We got a total of four 100g skeins 250m each, and I ended up using up almost precisely three skeins. 


It was a relatively fast knit, I was done with it in about a week working evenings. Patterns are very simple and are well explained, making them practically foolproof. And knitting with 5mm needles was such a treat, too!

The middle lace part and the border are knit separately and and then joined together before blocking. Gathering the two pieces was a bit tricky, mostly because of counting stitches you have to raise, and I hate doing that. I then blocked the finished capelet by gently steam ironing it, going twice on the middle section since the lace motif was stubborn and bubbly. 

A slight confusion was that despite following the guidelines precisely, the finished piece was noticeably larger than stated measures especially in width. Although in my case it turned out even better to have it that way – moar knitted cuddliness! On top of that, made from pure wool the capelet is very warm yet soft. Needless to say, my mother loved it! 





So, here goes the gift I made for my mum. I gave it to her already, because she kind of saw the whole process of making it anyway. I know it is a couple of weeks early, but I was starting it in advance in case it'd take me a while to make. So will need to buy a box of chocolates on the actual day, I suppose :)

I hope you guys like it, too! Let me know what you think in the comments ;)

E.V.

Sunday 15 February 2015

0 Comments Old-School Toffee Cardi

Right, so at least one of my unexpectedly long-term projects has come to an end a few days ago. Namely, I finished that knitted toffee colour cardigan I wrote about some time back. The story goes, I had quite a bit of yarn left from the Wedding Gift project, and brave as I am I decided to have a go at making a cardigan out of ample leftovers. I figured a soft toffee colour of the yarn called for an old-school'ish cardi, preferably in textured knit. 

And I found a lovely Finnish pattern here, which fit the idea perfectly – it had 3/4 sleeves, crew neckline, button front and pretty lace/aran mix of a pattern. Even its colour was nearly exactly the same as the yarn I had. So, I got myself some fitting needles and started casting on straight away. 

That was more than three months ago. 

I did not spend that whole time knitting this cardigan, but rather I kept putting it on hold to make things like the Onerva shawl,  these fingerless mitts, and a couple of camel wool hats which I probably will be sharing here a bit later. Altogether that took up about a month or so.

The biggest bummer was my own stupid mistake. Remember when I said you shouldn't be afraid to unravel your knitting if you made one here? Well, about two days after that post was published, when I was blocking the body of the cardigan (which, mind it, is a massive single piece comprising of back and both fronts), I realised I knit the wrong size... Chest circumference was too small, so it wouldn't even meet on me. 

*Massive sigh* Loathing myself for not double-checking final measurements of the size I picked, there I sat – unravelling the whole thing until there was nothing left but two balls of curly and tired-looking yarn. 

To keep my sanity after undoing weeks worth of work, I decided to make sleeves first this time around. When I was making the body once again, this time in the correct size, some things I managed to improve. Which is a poor consolation for having to redo it, but still a nice thing. 

I followed the pattern exactly, although I did use slightly smaller needles to achieve the required gauge, 3.25mm instead of 3.5mm. The lace was a bit tricky at first, but once I got hold of it I could do it with my eyes closed. Figuratively, anyway. Also I used a crochet hook to cast off the neckline as well as to hem the cast-on edge, which made the latter look much neater.

Embellished collar: ASOS
Glass bangles: gift from India

You can imagine what a relief it was when it was finally finished and looking so good! The [correct] size fit me perfectly, although because of it being quite structured, the fitting is more like that of a jacket rather than a cardigan. It also turned out to be pretty heavy and warm, more than I imagined it would be, anyway. 

Here I am wearing it on top of a half-sleeve white blouse with peplum hem that peers out from beneath like a ruffle, and slim black pants (sorry you can't see it here). Surprisingly, the embellished collar complements the cardigan rather nicely, and kind of adds to the old-school feel of it.

3/4 length sleeves are undoubtedly my fav, as I might have mentioned here a few times. The knit work on this one for some reason gives me that vintage'y feel of 40's and 50's, but with a slight touch of countryside chic. So pretty and tender!

Because of its neutral colour, a cardigan like that would be perfect to mix and match with many other colours and styles. It can also be accessorised with skinny belts, collars and brooches to achieve different looks depending on the outfit. Can't wait to play around with it!

As usual, let me know what you think in the comments ;)

E.V.

Monday 2 February 2015

2 Comments Bringing Photography Back into My Life

As you may have noticed, I added yet another tab to the navbar. This time it is photography, which is something I have been very fond of since I was about 15. I got my first and only DSLR (Digital Single-Lens Reflex) camera, Pentax K200D, at the age of 17 during the first year of my stay in the UK.

Since then (and it has been a 'wow!' 6 years already) I have been using it on and off, and in the recent years I only ever used it whenever I went for a holiday. For the most of it I simply didn't have time to go around taking pictures, and when I did I was kind of being too self-conscious to just take it out and start shooting, unless it was during a holiday trip. Because, apparently, it makes a difference!

The final blow was my camera sticking in the AF (auto-focus) mode for as long as two years. 90% of the time I would use MF (manual focus), so without it taking pictures instantly became rather dull. But, a very big thanks to this lovely forum thread, I fixed my cam and am now ready to pick up photography again! 

Testing the heart-shaped bokeh technique
Actually, I even got brave enough to start thinking about participating in Taylor Wessing photography portrait prize competition hosted by London's National Portrait Gallery. I mean, I sure can try – even if I don't win, getting lucky enough for one of my photographs to be exhibited will be winning in itself.

I still have until end of July to submit the photographs, so hopefully I will come up with a concept soon enough to start shooting. Wish me luck!

Have you ever taken up adventurous endeavours like that? Let me know in the comments ;)

E.V.

Saturday 24 January 2015

0 Comments 5 Things I Learned While Knitting

Right, it's been a while now, and I don't really have any soon-to-be-finished projects. The Sacred Geometry project is only like half done, meaning I coloured in three out of six facings, so the next part will only be coming in some time. And my current knitting project, which is a lovely toffee colour cardi with 3/4 sleeves, is still in progress due to one little misfortune of which I'll be sure to tell you later.

Not to keep you waiting too long I decided to write one of these 'counting' posts everyone seems to be so fond of on the Internet. And naturally, I thought I'd write about knitting:


1.     You can never know too much about knitting. I pretty much self-taught myself to knit, and it's been quite a learning curve. Despite the fact I was ok with all the basic stitches from the beginning, I read the pattern left to right instead of right to left. I was tightening cast-offs too much and my cast-ons were too sloppy. Hell, I still have knit stitches turned the wrong way on the needle, but hey, as long as the result is the same!

The point is, no matter for how long you have been knitting, there is probably something out there you don't know yet or something you are doing wrong. And there is absolutely nothing to be ashamed of. I love finding tips that help refine my techniques and make the knitting look neater and more 'professional' if you like. Let alone finding new amazing patterns!

There are plenty of books available on the subject, and Pinterest has just as much helpful knitting info around which you can search. Find yourself a source you like best, and keep learning new things – that is the fun part!

2.      Always knit a pattern sample. And I mean ALWAYS. There was a time when I would see such statement and go pfffff!.... What's the worst that can happen if I don't after all? It just seemed like too much of a hassle, especially if the project was big on its own. However, while an extra couple of inches to the width of a piece wouldn't really matter when you're making a scarf, they most definitely will make a difference in something that requires fitting. Something like a hat, a pair of gloves/mitts or a cardigan.

The thing is, you can't always find the exact same yarn which is suggested in the pattern. A lot of the times you would rather pick your own yarn that would fit your wardrobe's colour scheme. And sometimes you will simply have to work with some leftover yarn or something you got ages ago and thus cannot replenish. Because of that the gauge you get while using suggested needle size may vary.

Nonetheless, suggested needle size is as good a place to start as any, because it might as well fit the yarn perfectly. From there you will instantly see if you need to go up or down a size (half or quarter the size more likely). Most of the time it is trial-and-error process, but soon enough your guesses will become more and more accurate.

3.     You shouldn't dread unravelling your knitting if you made a mistake. Now, that depends on the mistake, obviously. Sometimes all it takes is to drop a single stitch (i.e. drop it from the needle and let it unravel until the place you need to change, then hook the stitches back up with a crochet hook), but sometimes you will need to undo it all and start from scratch.

I have done the latter for a number of reasons, be that changing my mind about the pattern, forgetting what I had planned for a particular piece or making an ultimate mistake of casting on less stitches than it is needed for the piece to fit. The thing is, better do it again and do it right than keep the mistake. Reason one – you will always know it's there even if it's not clearly visible. Reason two – if you make something for someone else you want it to look its very best, especially if that is a gift. Reason three – well, it's ultimately extra practice for you.

I know it means losing some hours of work irreversibly, but believe me when I say you will enjoy the result much better when it's as perfect as it can be.

4.     Blocking is absolutely essential, so do not ignore it. Make all those hours of hard work stand out in a neat and beautifully even piece. There are numerous ways to block your knitting, and it often depends on the type of yarn you used. You can search for different blocking techniques online and pick whichever you think works best.

What I do most of the time is I shape the piece on the ironing board with glass-head pins according to the measurements on the pattern chart and gently steam it with an iron without touching the knitting itself. Then all it takes is to let it cool down completely and voilà!

Blocking not only makes patterns look their best (even if it's plain stockinette stitch all over), but it also helps improve the fitting, especially when you are dealing with sleeves. But don't forget that hats, gloves, mitts and other smaller accessories need blocking too!

5.     Knitting undoubtedly makes perfect gifts, but only when it is done properly. And by properly I mean using quality yarns for quality wearable pieces. Keep it classy, people! No cheap-looking fluorescent yarns which a person would struggle to fit into their wardrobe. No arm-knitting scarves, because quite frankly, that's lazy knitting. No acrylic yarns for winter warmers, since they don't keep you warm and bobble like crazy.

Nothing says you care better than a fine-knitted piece made of good quality yarn in a lovely colour (preferably the one you know a person likes). Whether it is a sweater, a throw or just a pair of wool socks to wear at home. Possibilities are endless! Just make sure you make it with all your love, which I am sure you already do <3


These are just some of the observations and conclusions I made throughout my knitting 'career', and in no way am I claiming them to be a 100% correct.  Some are quite common, others are just something that works for me personally. Either way, it is up to you whether you choose to agree with them or not. Feel free to share what works for you or what you like best about knitting in the comments!

Take care for now,

E.V.

Friday 16 January 2015

0 Comments Sacred Geometry | Part 2

It has been some time now since Part 1 of this (as it turns out) lengthy project of customising a relatively small desk top chest of drawers from IKEA. As promised, in this post I will be showing you the finished facings of the six drawers with pattern outlines done in pencil. But first, I thought I should tell you why I chose this particular design.

Sacred geometry. The use of geometric patterns in Arabic art emerged only a couple of centuries after the birth of Islam as a religion and culture (circa 7th century CE), and subsequently became one of the most pronounced traits of Islamic art and architectural design. Based mostly on Euclidian "elements", islamic geometry was exploring and building upon the knowledge of the Greeks, creating most fascinating interlacing ornaments from the simplest forms:

To Muslims, these forms, taken together, constitute an infinite pattern that extends beyond the visible material world. To many in the Islamic world, they concretely symbolize the infinite, and therefore uncentralized, nature of the creation of Allah. (Wikipedia)

I think the idea behind it is truly fascinating. And what I found by drawing the patterns myself for the last few days is that the process is rather meditative, too.

Anyway, I am not going to bore you further with talks about the symbolism behind each pattern and each geometric element, but rather let you finally see the photo of six facings of drawers with finished pencil outlines. I wanted each one to have a different design, and that is what I came up with in the end:


1.     For the largest drawer I decided to have something simpler with less lines and messy linking points, and, quite frankly, less work to be done. The inspiration came from photographs of tiling in Seffarine Medersa (Fez, Morocco). As with most other designs, there are quite a few variations of this pattern, mostly changing the size and style of the motifs, sometimes having them overlapping. I chose the simplest, flat mosaic-like design:

Right half of the drawer with the grid and pattern outline
As you can see, it is a horizontal grid-based pattern, where main lines are falling roughly at 60º. Little crossed curved sections all over the pattern are drawn with the help of compasses set on one radius. The outline is then drawn by hand, just like in the other designs.

2.     This drawer features one of the most generic eight-point designs in Islamic geometric art. It is built using tangent circles, various points of which are then connected at different angles to create the multitude of different elements and shapes, like four- and five-point elements, triangles and octagons:

Working the pattern from the centre outwards
From the picture above you can see this pattern has two underlying grids – one going parallel to the shape of the drawer, and the other identical grid tilted by 45º.

3.     This pattern from the walls of Alhambra (Granada, Spain), although very pretty, turned out to be a complete nightmare to make! If you see below, you will notice that it is constructed by filling out the whole surface with interlocking circles that incorporate the twisting trefoil motifs within:

Diagram source here 
It was not difficult to construct conceptually, since it only required a pair of compasses set at a single radius. But I wanted the trefoil motifs to be fairly small, meaning that the radius had to be even smaller (in my case only 7mm), so the biggest struggle was to keep the circles evenly aligned throughout. I managed, in the end, but this pattern took me the longest to complete an outline, even though it was one of the smallest surfaces available.

4.      Originating from 13th century Persian tiling, this pattern is still very common in Islamic geometric art and architectural design, and is commonly referred to as "cross and star":


It is constructed using eight-point geometry, which results in a tessellation of two perfectly interlocking motifs, an eight-point star and a cross (hence the name, duh!). Unlike the previous pattern, this one was possibly the easiest to make.

5.     This pattern has the most unique feel to me, since I saw it first hand on the wall of Tomb of I'timād-ud-Daulah in Agra, India. There some segments of it were, in fact, powdered semi-precious stones rather than tiles. Here, on my little drawer, it will be a bit more humble.

Triangular grid and the beginning of the pattern outline
The pattern is essentially based on a grid of miniature equilateral triangles, where the end design is, again, only one of many possible variations. Here, it is a six-point star encompassed in what appears to be a thick woven border, with smaller hexagonal infills. What I also like about this pattern is that it features some floral elements (constructed with a pair of compasses set on a very small radius), thus differentiating it from the other five.

6.     Finally, the last facing is here! It is the drawer I gave you a preview of in Part 1 of this post, which features the most complex-looking design based on 12-point geometry:



Similarly to the design of drawer 2., it is constructed by first drawing a group of tangent circles. The only difference is that whereas in the other design there were two identical grids built on top of the circles, here there are three – at the right angle, at 30º and at 60º (notice the three superimposed crosses in each circle). You can see that this design is essentially the same, and thus features the same base elements. What I particularly like about this one though, is that it has a lot more stars in it.

Done! Here is the brief description and a more detailed look at each of the six facings for you. I hope reading it was not as exhausting as writing it all up, and I really hope that you share my enthusiasm about the designs! Let me know what you think in the comments ;)

I have already bought (and swatch tested) a set of pearly acrylic colours which I am planning to use on the drawers. Who am I kidding? I have already painted one drawer today! But that will be Part 3 for you, where I will show you the six facings in colour :p

E.V.

Tuesday 13 January 2015

0 Comments "A Time to Reap" Mitts

As promised some time ago, I'm sharing the result of knitting some fingerless mitts from Rowan Fine Art yarn I had left from the making of Onerva shawl. I found this lovely pattern from Ravelry on Pinterest (as I would), and I instantly knew what I will be using the leftover yarn on. I followed the pattern in every step, although I did use slightly bigger needles to get the required gauge.

Knitting this model was relatively hassle-free, if you leave out the fact that it took me almost one hour and two failed attempts of knitting the first inch of it to tame the set of double-pointed needles that kept falling out and retreating under a sofa. Although it got easier after some time, I have to admit, I did not master knitting with those, as you can clearly see the ladders on all four sides of each mitt. Quite annoying. But a good thing they're symmetrical.

The pattern is probably the easiest I could pick (although quite tedious since I hate knitting large portions in stockinette stitch), but this simplicity is what attracted me to the pattern in the first place, so no complaining here. Unfortunately the miniature lace insert at the top and bottom got kind of lost in all the colours, but the mitts still ended up looking nice.

Now to the part I kind of dreaded – the thumb gusset. I agree, dreading it would be a big word to use, but since I've never faced such a task before, it felt like a big step for me. In reality it was one of the easiest things, although it did add some volume to the stockinette part. The funniest part was knitting the tiny thumb with only 6-7 stitches on each of the three remaining needles – it turned out looking like a tiny mushroom!

Thumb gusset
Again, since it was my first ever attempt, there can be seen some ladders around the gusset. Well, I'm sure that with these things practice makes perfect, and that in time I will master the art of knitting with perfect tension throughout!

Just like in the original pattern, they come quite high up the arm and are slightly slouchy in the wrist, which creates that effortless comfort look. They work (and look) perfect with 3/4 or half-sleeve tops, keeping the arms fully covered in those colder days and giving them an extra layer under the coat. The fitting is also rather elegant to be able to leave them on indoors where there is no requirement to appear formal. 

Here, I hope you liked them! Take care for now.

E.V.

Friday 9 January 2015

2 Comments The Story of a Batwing Lace

Today I was faffing about the internet once again looking at awesome potential knitting projects. And that is despite the fact that I currently have two projects in progress, which I am working on from time to time, including a camel wool helm-hat for my mum (winter here is getting colder) and a toffee-coloured cardigan with half-sleeves in textured knit for myself. Both to be shared here once they're done. 

However, thinking of what I could make took an unexpected turn, and I started recollecting what I had already made instead, where I found something I would be nothing less than proud to share with you. 

The story starts more than a year ago, when I decided to knit myself a nice wool sweater in ivory/cream, the decision I made after about two hours and more than a dozen shops visited on Oxford St in London around November. There was absolutely nothing decent of that colour! And whatever had the colour, had wrong style or, what's more important (to me), fabric composition. So, to finish off an otherwise unsuccessful shopping spree, I went to John Lewis and got myself somewhat four balls of Rowan Fine Lace in colour Porcelaine, which I figured would be more than enough for a lacy sweater.

I started knitting a simple model – 1.5-inch rib at the bottom followed by a pretty lacy pattern I found somewhere on the internet. Then, my MBA dissertation happened, and when I picked the project up again in April I had no clue whatsoever what my original plan was! So I unravelled the 8 inches of the back part I had already knitted, and started to research a new, simpler pattern, Online.

I soon found this lace sweater by Vogue Knitting and I absolutely fell in love with it! The pattern is fairly easy, and it is knitted by simply working increase charts bottom-up, then dividing the work in two and knitting some more for the sleeves, and finally joining the two parts together leaving an opening in the middle for the head. Doesn't really get much simpler than this.

To achieve the required gauge I had to knit with two strands of yarn at once, so practically I was only left with two skeins, and I was kind of worried it will not be enough. Not that I couldn't buy more, but I was feeling too lazy to go all the way to John Lewis for just one ball of yarn, plus if I only used a few metres of it I wouldn't know what to do with the rest of it again. Luckily it was enough (possibly since I was knitting the smallest size), although I had to unravel the pattern sample to finish off the seams.

Anyway, after such a lengthy intro, here come the pictures:




The sweater turned out to be very soft and insanely warm, so a good thing the pattern is lacy. Despite the fact that it is a double-strand 100% wool knit, it is very gentle on the skin and slouchy batwing sleeves make it rather cosy. Just what you need when the weather is less than perfect in those colder months.

The only thing I kind of wish was different is the sweater being cropped just at the waistline, which makes it quite difficult to match with the bottoms without showing some skin (which I dislike solely for the reason that the open parts feel uncomfortably colder). I usually end up wearing it with a high-waist pencil skirt, just like the one in the pictures, or with anything high-waist, really. Otherwise, I think it is one of those perfect pieces. Its soft and neutral ivory colour is easy to match, and the simple yet elegant design fits many styles and moods.

Let me know what you think in the comments ;)

E.V.

Sunday 4 January 2015

0 Comments Sacred Geometry | Part 1

When I just moved back to Russia I faced a problem of scarce storage space for some of my everyday junk. For everything, really, but the tiny desk I got for myself absolutely positively could not afford to have a pile of make-up products, hair accessories and sunglasses simply resting on it collecting dust. The simplest solution was soon found in IKEA (yes, again), with this lovely mini-chest of drawers made of untreated wood. Not only it takes up relatively little space on my desk, but it also fits all the small junk just fine. Another good thing about it is that you can re-arrange the six drawers whenever and however you like or need.

There was only one problem: how on Earth was I going to give it a custom design?

Not because I couldn't, no. But there were simply too many options. Should I make random doodles with a sharpie hoping they would make a nice pattern? Should I imprint newspapers on them? Should I cite something? Colour-block? Draw something to show what's inside? And many other creative things one can think of doing with six facings of untreated wood. It all was getting a bit too overwhelming, so I shelved the whole idea of doing anything with them at all.

That was until a few days back, when my post-New-Year's-Eve-celebration brain had a sudden epiphany – Islamic geometry!

Having visited the North of India a few months back, where one can see a strong influence of the muslim Mughal Empire, particularly in architecture (including such wonder as Taj Mahal), I finally saw first-hand the fascinating Islamic art with its lacy masonry, architectural grandeur and simple yet at the same time very elaborate geometric patterns. The latter probably had the strongest effect on me. My eyes would find it hard to rest, following the narrow lines around the tiling only to find that those lines are infinite. It was somewhat of a unifying dance of simplest geometric shapes, skilfully combined together to form something much grander. Breathtaking.

So I thought, what could possibly stop me from making six little replicas of Islamic tiling like those of Taj Mahal, Alhambra, and many others, on the facings of the drawers? The fact that I have never made one pattern like that maybe? No problem at all – with a little help from Pinterest, arming myself with a pair of compasses, a triangular ruler and enough pencils, I began 'drafting' the patterns on paper.

My idea is to draw a different style on each of the six facings, plus have the top surface as well as the sides covered in a more simplistic design (possibly including the arabesque border, which is the name for a floral ornament). I am still not sure what I want to do with it in terms of colours, but I'm sure some ideas will come along the way.

Not to leave you empty-handed in terms of pictures, here are some snaps of my current progress on the design of the first (medium-sized) drawer:

12-point circular pattern
Beginning to transfer the outline on the drawer facing. Same pattern in the background
Finished outline






This project is a massive amount of work, so I probably won't be able to maintain a certain frequency with which I'll be putting up the following Parts. However, I can promise you that I won't drop this project since I got way too into it already :) Anyway, in Part 2 I was planning to talk a little bit more about the designs and their meanings, and show you the complete six facings pre-colour, so stay tuned for more!

E.V.